SCIENTIFIC THEORY OF GREAT PAINTING WORKS IN THE FINE ARTS OF UZBEKISTAN

Abstract

In the scientific theory of monumental paintings in Uzbekistan, the emergence and development of fine arts on the basis of human labor, beliefs, religious views, artistic and aesthetic ideals, the spirit of the time, its political, spiritual and aesthetic views.

Fine art also reflects a person's mental image, his or her interactions with others, and the psychological and emotional content of the visual state. Sometimes there are images that do not exist, that are the product of the artist's imagination.

The display of fine art allows the artist to express his or her attitude to a particular event in life at a high level.

Keywords

Social consciousness, riders, princess, image, society, attitude, means of education, cultural buildings, years of independence, realistic traditions, complex composition, thinking, фине артс, тҳе еволутион оф арт, пеарлс оф арт, ҳисторй оф арт, тҳе стагес оф девелопмент, тҳе ачиевементс ин тҳе период оф индепенденcе, тҳе интернатионал импортанcе оф тҳе фине артс, перспеcтиве, артистс анд cреаторс, ландсcапе